- #Lounge lizard session sonar edition online help full
- #Lounge lizard session sonar edition online help plus
But what is actually sand? And what does it actually feels like? This is the technical definition of sand, made of and used by geologists, e.g. Sand feels gritty when rubbed between the fingers (silt, by comparison, feels like flour)….” From Wikipedia The next larger size class above sand is gravel, with particles ranging from 2 mm up to 64 mm (see particle size for standards in use). The next smaller size class in geology is silt: particles smaller than 0.0625 mm down to 0.004 mm in diameter. An individual particle in this range size is termed a sand grain. As the term is used by geologists, sand particles range in diameter from 0.0625 (or 1⁄16 mm) to 2 millimetres. “Sand is a naturally occurring granular material composed of finely divided rock and mineral particles.
#Lounge lizard session sonar edition online help full
but it is here, the early albums, i believe, that you can full enjoy the most furious and condensed alchemies of this avant rock-goes-peripheral-goes-global band, which has chosen to be called kampec dolores - the end of pains, whatever optimistic or pessimistic this may means. Later works went occasionally more experimental ( improvisation, vocal eccentricities etc), the band though, finally, focused on a world-folk settled down direction, more ethnic/ethereal, less underground passionated, still very good.
#Lounge lizard session sonar edition online help plus
Traditional hungarian folk & eastern european jazz elements plus unfamiliar sounds & melodic qualities of hungarian language give an exquisite flavour to an already amazing balance between alternative 80`s underground rock and avant/R.I.O. Locally acclaimed, released internationally on vinyl by RECOMMENDED records (RER MEGACORP) and reissued later, along with the first album in one cd. Dutch anarcho-punk collective THE EX helped them to release their first self-titled album. They formed 1984 and attracted a small attention of western audiences supporting NICO in her 1985 Budapest concert, and participating PERE UBU`s reunion tour (1988). KAMPEC DOLORES is one of the most important rock bands that have been acting since 80`s in eastern (communistic then) Europe.
A quite recent reissue of the album includes 5 extras (singles, live.). This post is for his memory and comprises the 13 tracks of the original release. Early 90`s Miller returned to USA, giving though, no further music documents of his persona of "minimal man". " THE SHROUD OF", whose front cover was painted by Miller himshelf, was followed by a second LP, SAFARI (1983), before Miller`s relocation to Belgium, where he was related with Tuxedomoon and released four more LPs.
Despite of its raw character, Miller`s music reflects a sensitive spirit, a high artistic instinct and also hides some hope. His spoken words, wild screams and mournful murmurs fill the noise-crossed spaces with the sad, violent, desperate echo of efforts for surviving. Patrick Miller pushed punk /DIY attitude to industrial-experimental extremes drawing grey environments and hostile situations that lead people to wildness, poorness or madness. TENKO will carry you to vocal spaces that would have stayed, without her, empty, unfilled.Ĭlassic debut from avant-postpunk-industrial band, formed in San Francisco (1979) by visual artist and musician PATRICK MILLER (1952-2003) who started MINIMAL MAN intending at first to make music for his film experimentations. TENKO had worked with impovisation projects & travelled wide with experimental vocal ensembles, so "Slope gradual disappearance" hasn`t been only an uncompromised avant -passionated debut(!) LP, but also a work of distilled knowledge and experience, rich in multicultural influences and global historical/mythological references.ĭon`t avoid a contact with Slope Gradual Disappearance. encountered with 80`s noise experimentations and avant garde.
a semi-improvised, extreme, yet often familiar world of vocal acrobatics, sharp spoken dialogues, polyphonic antithesis, haunted lullabies, murmuring backgrounds, verbal or non verbal auras and beautiful conventional singing.
a small NY army of pioneering musicians summoned up under "commands" of TENKO, a japanese vocalist who started from traditional, art, japanese origins, to develope through amazing mouth-sound ideas & abilities. FRED FRITH (bass-guit-piano-violin-perc-production), ZEENA PARKINS (accordion-harp), ARTO LINDSAY (guit-voc), WAYNE HORVITZ (piano-synth), KRAMER (banjo), TOM CORA (cello), DAVID LICHT (drums), NED ROTHENBERG (flute-sax), CHRISTIAN MARCLAY (turntables), DAVID MOSS (voc) a.o.
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